English
1006
Prompt #28
29 October 2013
Having been back to the text
Going back to language
I've read through all the postings and
replies since last time, and it seems to me there's a great
deal of thoughtful, reflective writing there; most people
seemed to take the chance to go back and think more concretely
about the play and their experiences of reading and then
seeing it, and to use that chance pretty effectively. I want
to be as sure as I can that everybody's had a chance to see
what others said, so I'm going to use the
postings as the texts to consider in class today.
But this time I want to think about something
slightly different: where the postings were about how a person
understood or felt differently about a passage in the play
because she had seen it, I want to focus attention back on
something we were talking about before we began working on Private
Lives: how language invites us to make
judgments or to figure things out or have responses. One way
to think about this is to imagine that in each case Noel
Coward is showing you
these people acting this way and saying these things.
I'll count off some groups and give each group a
set of about for postings and responses. Read through them
looking for word choices or ways of saying things where
characters in the play are using language in these ways, or
when Noel Coward is asking us to watch them using language in
such ways. Here's an example:
AMANDA: You were abusing Elyot like a
pickpocket to me a little while ago, now you are standing up
for him.
SIBYL: I'm beginning to
suspect that he wsn't quite so much to blame as I thought.
AMANDA: Oh really?
SIBYL: You certainly have a very unpleasant
temper.
AMANDA: It's a little
difficult to keep up with your rapid changes of front . . .
I think Sibyl's remark about Amanda's temper
is an explanation of why she's beginning to understand Elyot
a bit better -- but Amanda doesn't understand that at all,
and thinks she's changing the subject. Sibyl's response
doesn't make any sense unless we come to understand what
she's doing; and Coward expects us to understand that.
It would be quite different if Sibyl had said, for example,
"I'm beginning to see why he might have left you; you
certainly have an unpleasant temper."
Decide
on one example of language in the play which depends on the
audience understanding something that isn't quite said, or
making a judgement, and identify it on the form you'll have,
with a sentence or two explaining what you think the issue is.
Agree on the example, and the explanation, put the printout
containing your choice on top, and hand the pile
back in.
For Thursday
It's still mid-term time; this process will
continue for a bit longer. See Prompt #29, which
will appear this evening.
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