English 2223: The Page and the Stage
questions on The Rover
Here's how we'll do this: choose two questions, and post an email to hunt2223@stu.ca
identifying, by number, which questions you want to see what you can find
out about. No question can be chosen more than twice -- so make sure to
read your email from the list before choosing your two. In your email,
you can identify the questions by number.
Find out what you can about your questions, and post what you find as
a file called research2.htm. Make sure to put your name
at the top, and copy each question in so we're clear about which ones you're
answering. Do this by 8:30 Friday morning.
[A bit of advice: some of these questions may seem unanswerable, but
if they're phrased in this way: "what do some scholars and critics say
about . . . " they become more manageable. If it helps you to rephrase
the question, as long as you preserve the main focus, feel free to do that.
Also, it's useful to check in books about Aphra Behn and about the drama
of the period; introductions to plays, and references in biographies, often
have information on matters like this. Also: if you learn something
in pursuing your question that seems to you might be useful for an audience,
by all means include it, as an addition to your text.]
-
Why is Willmore called "The Rover"? Does the title have any particular
meaning? What is the meaning of "The Rover"? [Nick
Comeau, Christopher
Campbell]
- C
Where would the Cavaliers get their money? How wealthy are they supposed
to be? [Rebecca
Rankin]
-
How did Aphra Behn meet the King? Why were they considered good friends?
Was her alliance with Charles a reason for her fame? [Scott
Saulnier]
-
Were female actresses scorned for the roles they played? Were their reputations
affected by the roles they assumed on stage? [Sally
Smith, Yasmin
Glinton]
-
Does the manner in which women are treated in the play reflect the social
situation at the time the play was written? Could this play reflect the
time period and the social interaction between, for example, males and
females? Was it an overexaggerated production or was there some truth in
the way the characters were depicted? [Nick
Comeau]
-
Were there no other options available to women besides those presented
in the play (i.e., marriage, prostitution or the convent)? How often did
young women go into nunneries? Why would Hellena be sent to a nunnery?
[Hilja Lindala]
-
With women gaining rights in the Restoration, what were the views of the
public about the rape scenes? [Hilja
Lindala]
-
The play mentions the unity of time. What does it mean? Why was it significant?
[Yasmin Glinton]
-
What is the effect of having the characters dressing up as gypsies? [Rebecca
Rankin]
-
Do readers often feel The Rover is a feminist play? [Greg
Keezer, Jeremy Peck]
-
Are there moral issues presented in the play or this simply a form of entertainment?
[Andrea Hynes]
-
What writers did Behn influence? [Greg
Keezer, Jeremy
Peck]
-
What does "Spanish" culture or style have to do with this play, loved by
the English? What is the connection? [Sally
Smith]
-
Why was the play set in Naples? Who are the Spanish? Why are they in Naples?
[Alisha Sweezey]
-
Why would Behn make Blunt such a tragic character (most bad things happen
to him) . . .? [Alisha
Sweezey]
-
As the first successful woman writer, what obstacles might Aphra Behn have
had to overcome in order to get her work on stage? [Andrea
Hynes]
-
What are these terms -- Coxcomb, Jilt, Common Shore, 'Sheartlikens, Curtesan,
Quean (add any of your own)? [Christopher
Campbell]
-
How different was the play from Killigrew's Thomaso? [Scott
Saulnier]
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