English 2223
The Page and the Stage
March 18, 2011
How I read learning reflections,
and how you can assess your own
These notes outline the process that I go through in reading (and re-reading)
reflections on learning, and that you can go through in reading and assessing
your own (and those of others).
First, I go through and strike out passages which are not relevant to
the learning identified in the general statement about the
aims of the course in the course introduction. Specifically:
-
I cross out all evaluations of the course or my teaching, good or bad:
there will be a place for that, in the course evaluation process, but if
you're assessing your learning it's not relevant;
-
I cross out general expressions of enthusiasm about how much the writer
has learned or how hard she's worked;
-
I cross out general statements of things the writer thinks about drama,
scripts, research, etc., which don't refer to how those ideas developed
through experiences in the course;
-
I cross out general statements of change of attitude without specifics
("I now think theatre is really important");
-
I cross out summaries of what the writer has done unless they are specifically
tied to examples of learning;
Then I look at what's left (in some cases, especially when people are doing
this for the first time, there's not much). What I particularly look for
is passages where:
-
the learning is tied to a particular, concrete experience -- of reading
something, writing something, seeing something happen in a play, talking
with someone, finding something in the library or on line.
-
the learning is clearly definable and attributed to an experience
-
evidence is offered that the learning has changed the writer's behavior
-- for instance, evidence of what was said or thought earlier contrasted
with what the writer would say now
-
the learning is directly related to one of the stated goals of the course
-
there's a kind or method or result of learning that is a surprise to me,
and which I think is relevant to what this course is attempting to help
people achieve
As I find such passages, I highlight them. I'm also looking for evidence
of new understanding -- it might be of things like
-
the nature and variety of drama and the theatre
-
the ways what we know affect our experience of that drama and theatre,
and vice versa
-
the role of research and knowledge about drama and theatre in our understanding
of it
-
how an idea or understanding learned in one context was extended into another
-
methods and strategies of learning and working toward understanding, tied
to particular experiences
Finally, I consider what the document lets me infer (whether actually stated
or not) about the writer's learning with respect to the larger goals of
the course.
Of course it isn't possible for someone who has been involved in the
course and engaged with the process to convey everything she learned.
So I look for evidence of the ability to relate general kinds of learning
to concrete events -- readings of particular documents (scripts, wiki and
forum postings), discussions with others, individual experiences with research
on line or in the library, working in groups on Task Forces or Editorial
Teams. Just as I would have done with a final exam, back when I used to
give them, I look for a range of different kinds of learning. If nearly
everything in the reflection has to do with one thing:-- say, coming to
understand new things about a particular play or playwright, or about play
production,, that's not as impressive in terms of overall learning as a
range of different kinds of learning.
Finally, I reread the printouts looking for any possible excuse to raise
a mark. I look, this time, for indications that the writer could have produced
evidence of learning, though she didn't in fact do it. I consider that
I probably didn't make myself clear enough about how the reflection should
at least take into account the suggested approaches, topics and ideas suggested
in the documenting your learning page. I raise
many of the marks. At this point I reread the reflections of the people
who have been mentioned by others as having contributed to their learning;
if there is some doubt about a final evaluation of a reflection, I give
that person the higher possibility.
All this allows me to make the following range of judgments:
-
I don't see evidence here that would allow me to make any alteration in
a mark generated by sheer participation; thus, a minimum mark would not
be changed
-
I see evidence here of learning that is, according to the definition in
the university
calendar, of C level; if so, a mark lower than C, or the absence of
any mark, generated by sheer participation, would be raised to C
-
I see evidence of learning that matches the calendar descriptions of work
meriting a B or an A, and the same thing would apply; a minimum mark that
was lower than that would give way to the higher mark.
In the case of this course, evidence of learning that gets to a level of
B shows an understanding of a wide range of ideas -- about what drama and
theatre are, how they interact, and specifically how experience of theatre
changes ideas about drama, and vice versa. Evidence that gets to the A
level does that by exhibiting the ability to make connections across areas
(for example, to draw learning out of comparison of two very experiences
or texts, or to relate specific concrete experiences to more general learning.
So, I suggest you apply this reading process to your own reflection.
You might, also, compare it with those of others in the class who posted
one.
If you find, as a number of people will, that you did address issues
like these directly, you should feel comfortable. If you didn't, you should
attend to such issues as you write your continuing weekly learning journals,
keeping track of what you're learning and how your understanding is changing
as you work, so that in April you'll be able to write a convincing synthesis.
I should say that among the ones I really couldn't make a judgment about,
I was convinced by the quality of the writing and thinking of all of them
that the person who wrote them would have been capable of writing a B or
A synthesis had they attended more directly to the suggestions in documenting
your learning.
To the list of prompts for "The Page and
the Stage"
To the main Page and the Stage Web site