English 3336
Restoration and Eighteenth Century Poetry and Prose
responses to A Modest Proposal
It is a melancholy object to those who walk through this
great town or travel in the country, when they see the streets, the roads,
and cabin doors, crowded with beggars of the female sex, followed by three,
four, or six children, all in rags and importuning every passenger for
an alms. These mothers, instead of being able to work for their honest
livelihood, are forced to employ all their time in strolling to beg sustenance
for their helpless infants: who as they grow up either turn thieves for
want of work, or leave their dear native country to fight for the Pretender
in Spain, or sell themselves to the Barbadoes.
I think it is agreed by all parties that this prodigious number of children
in the arms, or on the backs, or at the heels of their mothers, and frequently
of their fathers, is in the present deplorable state of the kingdom a very
great additional grievance; and, therefore, whoever could find out a fair,
cheap, and easy method of making these children sound, useful members of
the commonwealth, would deserve so well of the public as to have his statue
set up for a preserver of the nation.
But my intention is very far from being confined to provide only for
the children of professed beggars; it is of a much greater extent, and
shall take in the whole number of infants at a certain age who are born
of parents in effect as little able to support them as those who demand
our charity in the streets.
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Here, Swift is clearly building towards his main shock point.
He takes great pains to write as he is being very serious and thoughful.
This is important for the structure of his work, by showing he is being
serious, his satire is that much more powerful when he reveals his own
little twist. I also enjoyed how he subtly pats himself on the back
when he says "whoever could find out a fair, cheap, and easy method of
making these children sound, useful members of the commonwealth, would
deserve so well of the public as to have his statue set up for a preserver
of the nation" since he is in essence, telling his audience how to make
use of these poor and as of now useless kids.
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He is writing from a very negative viewpoint and making may
assumptions about the lives of the poor. He is making negative generalizations
that poor people cannot have "honest" jobs (whatever that would be) and
that the children will grow up to be thieves. Having read this work
before I know that it gets very dark, but even from the opening paragraph,
if you pay attention to his phrasing, you can see great darkness evident
already.
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It seems that Swift is pointing out the poverty problem in
Ireland at the time. I am unsure how much of this maybe exaggerated or
be in some way satire. It does seem to be a complex problem.
I believe that Swift is calling on the monarchy to fix the issue by saying,
" whoever could find out a fair, cheap, and easy method of making these
children sound, useful members of the commonwealth, would deserve so well
of the public as to have his statue set up for a preserver of the nation."
The monarcThe language here shifts the precieved blame on the problem of
poverty. For example, when he writed "...as they grow up either turn
theives for want of work", it is implied that they aren't poor by choice
but by circumstance out of their control- but at the same time it completely
neglects to assign any blame for why that is. This way of speaking
of the poor effectively takes away their will as Swift satirically speaks
of them as if they're literally just objects.
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In the first paragraph Swift sets it up so it appears that
the children are the ones to blame. They are seeling themselves to Barbadoes,
not being sold by someone else. Also that they rob people because they
so desperately want to do something besides begging and being lazy.
In the second paragraph he kind of commodifies the children.
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It seems as though Swift's audience is the middle to upper
class, as he reflects on the poor beggars in the streets, seen through
the eyes of someone who travels the world (usually middle to upper class
because they could actually afford to travel). He also speaks
of the beggar's children in very negative terms, calling them helpless
and thieves. He is trying to prove that the country would be better off
without them (foreshadowing to using them as food). He is trying to convince
the reader that his proposal is a good one by making the reader believe
that they want the beggars gone as well.
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This is setting the reader up to understand why they do this
and why it is ok. They mention that "whoever could find out a fair, cheap
and easy method of making these children sound, useful members of the commonwealth,
would deserve so well of the public as to have his statue set up for a
preserver of the nation." They talk of the children as though they are
burdens and will not go anywhere in life anyway. The connections the reader
is being invited to make is that whatever this Modest Proposal is, it is
ok in this community as they think there should be a statue made of the
person who comes up with an idea of how to keep these burdens from being
burdens and to make them beneficial to members of the commonwealth.
Swift's still introducing how this Modest Proposal works. Swift enters
in to it lightly, easing the readers in to the understanding of why he
feels this is justifiable. He says they will "take in the whole number
of infants at a certain age who are born of parents in effect as little
able to support them as those who demand our charity in the streets." This
helps break the reader in, giving them an understanding still that what
these people do is justifiable and it is for a good cause.
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From my understanding of this, Swift is referring to how
we view the lower class of Ireland. He is criticizing the way in which
the richer view the poor people as being burdens and grievances in their
lives. Swift doesn't agree with their ideals (at least I hope he doesn't),
and is trying to make us see the wrongs in their beliefs. Instead of viewing
the poor as people in need that they should help, the rich view them as
an irritating annoyance in their lives. The rich don't try to help make
the lives of the poor better, but they try to find ways to make their own
lives better through use of the poor.
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Reading the very first sentence we can see a clear image
of Ireland's poor being bluntly portrayed to us. Right after this we already
see Swift playing with his choice of wording making the reader have judgmental
thoughts because the mothers are unable to work, concluding with them being
forced into poverty. This would have been a little ironic due to the majority
of the people at the time (possibly including Swift) wouldn't have thought
this way, the poor did it to themselves. This is a perfect example of Swift
making the reader be unsure of how to take the tone and what to expect
next. ##This paragraph from the essay sets readers up by presenting a “melancholy”
mood. The depressing mood creates empathy for the readers. This technique
is how Swift is able to present his proposal later in the essay. Swift's
main point in this section is the economic issues in Ireland during the
eighteenth century, and how he will proceed to give readers the solution
to the problem. When Swift says “agreed by all” he is assuming the majority
have a consensus. This is interesting, I wonder what the 'rich/impoverished'
people of Ireland had to say about this?
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This is setting the reader up to believe that the voice of
this passage is going to change society by providing for poor children
on the streets. The person is lead to expect the voice to make a
difference in society. He/she expects us to already believe that
the future of these children is doomed. It seems as though whoever
the voice is, is looking for fame and does not really care about the children.
-- "and, therefore, whoever could find out a fair, cheap,
and easy method of making theWhat strikes me is the difference between
the first and second paragraph. Although his voice doesn't necessarily
change, it seems to me you can tell what things he is drawing deliberately
from real experience, and which of those experiences or observations he
is satirizing. I will attempt to elaborate. In the first paragraph, to
me it seems clear that he is pretty adequately describing the situation
in Ireland at the time. Then we get into the second paragraph and there
is again the focus on how the children are essentially a grand annoyance
and nothing else. I think it starts to become clearer that even though
he sympathizes with the poor people in Ireland, he writes as though he
wants to appeal to the side of the wealthy. By describing the children
as, "in the arms, or on the back, or at the heels of their mothers," it
suggests that these children are bothersome and furthermore represent a
large portion of the population, that is to say, there are too many, and
this is further suggested when he adds, "a very great additional grievance."
By adding that, it again suggests, well these poor people aren't actually
human so let's think about a solution on how to make them more useful.
I know that's not what he is saying, he is in fact saying the exact opposite,
BUT by writing in such a sophisticated style, it is obvious that this proposal
is not intended to be read by the poor people who would likely be illiterate
anyway. He is ironically addressing the rich, and not-so-discretely insulting
them.
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Huh. Swift lists his defense for his argument in the same
way that he lists the problem for which his argument is presented for in
the first place. There is a clear sense of progression as the
sentences unfold, but the lists's meter and comparable length, give an
interesting form of visual logic to the circumstances he describes, and
has an "eye for eye, teeth for teeth" kind of balance I didn't pick up
the first time I read this.
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